In selecting Artificial Things as the award winner of the category, the jury said. Founded 23 years ago, Stopgap is an inclusive company bringing together disabled and non-disabled dancers. Bennett and Fiennes decided to relocate the space of the original show (a traditional, end-on staging in a theatre) to a non-theatrical, found location–an abandoned shopping mall–and explored the possibilities it offered for re-thinking and re-creating the choreography. Log In. Stopgap Dance Company is where dancers will gather to deepen their knowledge about inclusive dance and contemporary dance. Stopgap is a UK-based ensemble, which integrates disabled and non-disabled dancers and artists, operating with a … Related Pages. Learn vocabulary, terms, and more with flashcards, games, and other study tools. Associate Producer - Lou Rogers. 5th February 2014. from Stopgap Dance Company Plus . Please retry. Stopgap Dance Company create exhilarating dance productions for national and international touring. In this cinematic and evocative production Stopgap Dance Company creates a compact world of riddles that question our notions about unity and co-existence. Registered Charity #1116776. Artificial Things Ep. On 14 March 2014, the British Council is organising a performance of Artificial Things, a new production by British dance company Stopgap, world leaders in the area of inclusive dance. Using the found light sources of the space, Fiennes and cinematographer Remko Schnorr paint with the lighting and create a destitute, forlorn atmosphere contrasting darkness with shafts of white light coming from the ceiling, softened occasionally by smoke. Stopgap Dance Company creates exhilarating dance productions for national and international touring. Create. David Willdridge, Artistic Director - Lucy Bennett The jury responded to the strength of the ensemble and a non-hierarchical vision of corporeal expression. See more of Stopgap Dance Company on Facebook. Log in. Dance company. Continue with. Our youth dance company had the pleasure of seeing Dave perform with Stopgap Dance Company in both Artificial Things and The Enormous Room in recent years. In the film, Bennett and Fiennes further explored this stimulus. ... Stopgap Dance Company. The following video is a teaser of a dance called 'Artificial Things' by Stopgap dance company. Create New Account. Only $1/month. Artificial Things at the Stopgap Dance Company Online. 01252 745 443, Company Limited by guarantee This film’s cinematic vision speaks to the depth of human experience through the metaphor of a supermarket. or. 7 years ago. However, what looks like a hopeless end at the beginning becomes a promising beginning at the end. During this distillation process, she changed the piece’s dramaturgy and inserted scenes from the first two parts of the original, full-length work. Artificial Things is a re-imagination of a contemporary dance performance of the same title by Stopgap Dance Company (choreographed by Lucy Bennett and devised by the dancers: Amy Butler, Laura Jones, Chris Pavia, David Willdridge and Dave Toole). Archetypical, yet surreal creatures, who like disparate survivors of a catastrophe, slowly come to their senses. The award-winning inclusive contemporary dance film Artificial Things was directed by Sophie Fiennes and conceived and performed by Stopgap Dance Company. With this the mise en scène became a mise en lieu, which completely re-contextualized the original piece, creating a desolate, abandoned, real world for its characters’ dystopian existence. The dance film is a re-imagining of the stage work of the same name and dancers Amy Butler, Laura Jones, Chris Pavia, David Willdridge and Dave Toole, who devised the original piece, all appear in the film.\r\rIn selecting the film as the winner, the jury of dancescreen said ‘This film’s cinematic vision speaks to the depth of human experience through the metaphor of a supermarket. Start studying Artificial Things. Forgot account? Artificial Things was audio described by Rationale Method. However, their wild disorder descends into playground politics and reveals some uncomfortable truths. In … Hence the genesis of this film: to record an excerpt from the company’s landmark performance with the aim of documenting and preserving an ephemeral artwork. David Toole Christopher Pavia … Stopgap Dance Company. ... we can use our creation process to reconstruct some established ideas about integrated dance – our new work Artificial Things … ): revealing a deep humanism with a sense of humour that is so characteristic of her work. The viewer of Artificial Things (2018), however, is presented with something different from Fiennes’s previous works: a dance film that grew out of the process of documentation, a new artwork in its own right. Laura Jones ... Our award-winning dance film of ‘Artificial Things’ has been nominated as one of dance critic Sarah Crompton’s five best dance experiences of 2020. However, their wild disorder descends into playground politics and reveals some uncomfortable truths. The color scheme of the costumes was influenced by the work of Djurović, and the compelling senses of light and space in those paintings were translated into the visual language of the film. Candoco Dance Company. What can become of this unusual group of no-longer strangers? Inclusive contemporary dance. Sampler has collected 12 useful for beauty and well-being classes, which will be useful in October for every beauty needle. When creating the original dance piece, Bennett and Jones were inspired by the paintings of a contemporary Berlin-based Serbian artist, Goran Djurović. Stopgap Dance Company's 'Artificial Things' Directed by Sophie Fiennes - Duration: 25:25. stopgapdanceco 2,135 views. The movements (mainly based on the vocabulary of contact improvisation) explore the possibilities of and the boundaries for these bodies–not without a sense of humour. Focusing on the second and third part of the dance piece, Fiennes condensed the original 90-minute performance to less than half an hour. Watch and answer the questions below: Premiere date. The ending hints at Fiennes’s optimism (utopia? An eerie hum echoes through a black screen, which slowly lightens as we inch into an abandoned, bordered-up … Search. The disabled dancers uncover and display their physicality in a matter-of-fact way, without sentimentalism. Fiennes and Bennett in their collaboration further rethought the piece. Not Now. “Difference is our means and our method” Date of … This video was launched as a Watch Party with Choreographer Lucy Bennett, Performer David Toole and Arts Writer \u0026 Producer Amber Massie-Blomfield\r\r providing live commentary (Switch on Chat Replay as seen on top right hand corner of your screen).\r\rIf you enjoyed the video and would like to support our work, please make a donation here: \rhttps://www.gofundme.com/f/stopgap-online-project-fund To find out more about this film click here:https://www.stopgapdance.com/artificial-things--the-film#DanceFilm #ContemporaryDance #InclusiveDance #DaveToole A recurring motif in the choreography is the dialogue (or the lack of it). We are so sad to hear the news of the passing of Dave Toole. ... Stopgap Dance Company would also like to thank the following artists for their input and support in developing ideas: Company Chameleon, Charlie Morrissey, Thomas Noone, and Rootless Root. ARTIFICIAL THINGS - watch online On 18 May at 8pm UK time, Stopgap Dance Company is organising a watch party of our award-winning film ARTIFICIAL THINGS on Facebook and YouTube . In Stopgap Dance Company's award-winning dance film Artificial Things, director Sophie Fiennes collaborates with choreographer Lucy Bennett to reimagine the stage production. Stopgap Dance Company Artificial Things - Part of the Dance GCSE Syllabus Slowly suffocating in each other’s company, a group of individuals seek escape in a bash of riotous rock-n-roll. You can find this version here. Artificial Things - Trailer. Video content. Having worked with dancer-choreographer Michael Clark in the 1990s (a formative experience that resulted in a film, The Late Michael Clark, 2000), as well as documenting and interpreting one of the most contested performances of les ballets C de la B (VSPRS Show and Tell, 2007), Fiennes in her previous dance-documentaries reveals a filmmaker who not only understands contemporary dance from within but speaks its vocabulary with sensitivity and confidence. For their performances in the Lilian Baylis Studio as part of the =dance season, they present their latest production, Artificial Things. To be kept in touch about film screenings, please sign up to our mailing list below. The award-winning inclusive contemporary dance film Artificial Things was directed by Sophie Fiennes and conceived and performed by Stopgap Dance Company. ... Let’s find out about them. Stopgap Dance Company’s film Artificial Things, directed by Sophie Fiennes, explores human interdependence, strength, and vulnerability. We employ disabled and non-disabled artists who find innovative ways to collaborate. Stopgap is a UK-based ensemble, which integrates disabled and non-disabled dancers and artists, operating with a distinctive movement aesthetic, and collaboratively developing work that “seeks to open a window into a parallel world where human interdependence, strength, and vulnerability play out with poetic realism.” Their original, 90-minute dance piece, Artificial Things (2014), gained so many accolades in Britain that it became part of the GCSE curriculum in secondary schools. 1. AN INTRODUCTION by Katalin Trencsényi. Stopgap dance company. Search. From this pulsating group, through a lift, a beautiful, elevated image marks the synthesis, which might be interpreted as a moment of apotheosis or perhaps outstretched arms to the transcendental–but there is nothing, only the cold lights above. Filmed on location in a derelict suburban shopping mall and featuring an ensemble of disabled and non-disabled dancers, the film explores human interdependence, strength, and vulnerability. Artificial things. Farnham Maltings The chosen aesthetic of the audio description was Poetic/Dynamic which combines poetic text with dynamic vocal delivery to bring added excitement to the listener. It is an unavoidable and perhaps unusual experience for the viewer, but at the same time, it offers a deeper level of connection. Our work is fuelled by the new and exciting possibilities that arise from the dialogue between distinctive dancers. Dance style. The dance world has lost a wonderful artist but we … Choreographed by lucy benett. Sorry, there has been an error. Bridge Square in England and wales #5793989 Video caption: An ensemble dance piece from Artificial Things featuring music by '70s rock band Family. This is an inclusive dance production featuring the internationally renown disabled dancer Dave Toole. Extract from ‘Artificial Things’ (Contemporary dance film by Stopgap Dance Company, 2020) Stopgap Dance Company creates exhilarating dance productions for national and international touring. Stopgap Dance Company performing Artificial Things in 2014 Credit: Shutterstock The dancer Chris Pavia is taking me through his inspirations for … We employ disabled and non-disabled artists who find innovative ways to collaborate. The characters, who appear in this desolate and broken space, are abandoned, lonely, feeble and somewhat frustrated. Browse. Artificial Things is a re-imagination of a contemporary dance performance of the same title by Stopgap Dance Company (choreographed by Lucy Bennett and devised by the dancers: Amy Butler, Laura Jones, Chris Pavia, David Willdridge and Dave Toole). STUDY. They employ disabled and non-disabled artists who find innovative ways to collaborate. Log in Sign up. It all lends an abandoned air to Stopgap Dance Company ’s Artificial Things. To join our mailing list to receive monthly e-newsletters about our touring productions, education and training opportunities and news about the Stopgap team, please enter your details below. Flashcards. Create. This is a duet by disabled dancers Dave Toole and Laura Jones from Stopgap Dance Company. That Artificial Things resonates not as a static portrait of these themes but an ongoing dialogue about their cultural significance is perhaps its greatest feat. Executive Producer - Sho Shibata Stopgap Dance Company would also like to thank the following artists for their input and support in developing ideas: Company Chameleon, Charlie Morrissey, Thomas Noone, and Rootless Root VIMEO … The film starts and concludes with an empty space. Artificial things. The non-disabled dancers’ duet begins from the cultural topos of a mixed-sex couple’s “lead and follow” movements, yet as it unfolds, the traditional gender roles become more playful and relational, and the dance settles on a tender balance between the partners in weight-bearing and lifts, gently emphasizing the male–female dialogue in equality. Upgrade to remove ads. In this award-winning dance film for BBC Arts, to be broadcast on BBC Four, director Sophie Fiennes collaborates with choreographer Lucy Bennett to reimagine Stopgap Dance Company’s stage production, Artificial Things. This is a trailer of Artificial Things by the inclusive dance company Stopgap. Start studying Artificial things. Performance Art Theatre. Through the dancers’ gentle interaction (in the duets and quartets), gradually intimacy and connection develop–until disabled and non-disabled people and a broken wheelchair become one, interconnected union on the ground. Farnham Amy Butler In this award-winning dance film, director Sophie Fiennes collaborates with choreographer Lucy Bennett to reimagine Stopgap Dance Company's stage production Artificial Things. Follow: Search for: Yet they also express an inner landscape and reveal frustration, aggression, self-hatred, sadness, and affection. Filmed on location in a derelict suburban shopping mall and featuring an ensemble of disabled and non-disabled dancers, the film explores human interdependence, … The glass walls obscured by white paint (to keep out the unwanted gaze), the distressed lino, the bare counter by the hollowed partition walls, the remains of signs, the cracked mirror mended by thick yellow and orange tapes–bear traces of a once abundant and busy life. The space plays a vital part in the film: it is a post-apocalyptic, surreal, but charged environment, almost breathing together with the moving figures (somewhat reminiscent of The Zone in Tarkovsky’s Stalker). This inclusive contemporary dance art film was originally a stage production, which had its London premiere at Sadler's Wells.Audio Described version available here: https://youtu.be/HXTeG5NSMWYAbout the work:Winner of a prestigious dancescreen 2019 award in the category of SCREEN CHOREOGRAPHY OVER 15 MINUTES... Filmed on location in a derelict suburban shopping mall and featuring an ensemble of disabled and non-disabled dancers, the film explores human interdependence, strength, and vulnerability. Stopgap Dance Co. The cream, grey, pastel-blue, soft peach, and brown colors, and the more formal attire recall the aesthetic of the 1950s and evoke some post-war melancholy. Stopgap Dance Company makes exhilarating dance productions with exceptional disabled and non-disabled artists.Their work is fuelled by the new and exciting possibilities that arise from the dialogue between distinctive dancers. Enjoy this joyous piece of "rock 'n' roll escapism" from Artificial Things, featuring music by '70s rock band Family. Artificial Things (2014, Stage) Slowly suffocating in each other’s company, a group of individuals seek escape in a bash of riotous rock-n-roll. Lucy Bennett is artistic director of Stopgap Dance Company. Producer - Callum Graham Learn vocabulary, terms, and more with flashcards, games, and other study tools. Artificial things Learn with flashcards, games, and more — for free. The markedly theatrical costumes of the original performance (designed by Anna Jones) in the film are replaced with costumes, which use more muted tones. The soundscape (kept from the original dance piece, created by Andy Higgs and Jim Pinchin) contributes to an industrial, remote and melancholy feeling, giving an impression that here time stands still. Artificial Things In this award-winning dance film, director Sophie Fiennes collaborates with choreographer Lucy Bennett to reimagine Stopgap Dance Company's stage production Artificial Things… Our work is fuelled by the new and exciting possibilities that arise from the dialogue between distinctive dancers. Fiennes then completely re-arranged the scenes (the solo, the duets, and the ensembles), using an artificial logic, a simple principle from mathematics: ordering them in a geometric sequence from one to five, according to the number of dancers in each. 1/1 In this fluid dance film, director Sophie Fiennes collaborates with choreographer Lucy Bennett to reimagine Stopgap Dance Company's stage production, Artificial Things. Beauty editor of the StopGap website. GU9 7QR Stopgap values a pioneering spirit and is committed to making discoveries about integrating disabled and nondisabled - people through dance and nurturing disabled and nondisabled artists - for making inclusive works. In this award-winning dance film, director Sophie Fiennes collaborates with choreographer Lucy Bennett to reimagine Stopgap Dance Company’s stage production, Artificial Things. 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