The guitar they made is actually pretty much identical to the GA60SCE model which has the AEQ-45 pickup/preamp system, but Tom’s guitar might have some features and specifics which we are not aware of. Going to RATM’s early years, Tom used one with a bare metal finish and two Hot Rails humbuckers. – Marshall Lead 20 Tom is also the co-founder (along with Serj Tankian) of the non-profit political activist organization, Axis of Justice. We all remember Ovation as an acoustic guitar company. At the time of buying this guitar Tom was looking for a new instrument as he was making the transition from RATM to Audioslave. It’s not that easy to define what a “guitar hero” is. What’s more, we have that classic “fuzzy” and “wooly” tone that’s typical for Orange amps. He also removed the original pickups and installed the EMG 85/EMG H set. This pedal is no longer present on his pedalboard. Meanwhile, the clean channel has a 2-band EQ and a volume knob, and the distorted channel comes with a 3-band EQ, a gain knob, and a volume pot. Now here’s an odd one. This program is designed to provide a way for websites to earn advertising fees by linking to Amazon. Years Used: 1990s to now Finish: Black with custom details. Those who are fond of the 1980s Marshall stuff use this one even for live gigs. Tom likes keeping the old stuff that he got back in the day, telling us that he’s quite a sentimental musician and a guitar collector. Interestingly enough, he actually used this cheap instrument in the studio for RATM’s “Tire Me”. The main difference between this one and any standard Strat comes from the fact that Morello’s choice was loaded from the rear, not the front. Tom replaced the stock one with a DiMarzio Super Distortion T “rails” humbucker. At that time Morello was playing in a band called Lock Up, which he joined in early after Mike Livingston, who was the guitarist and the original founder of the band, left in late 1987. Tom Morello Gifts Signature Guitar to 10-Year-Old Girl Who Performed Viral Rage Against the Machine Cover "To see someone rocking so great who is so young, it … Tom had at least two of these. However, as he didn’t know much about guitars or building guitars back in those days, the instrument turned out to be not so good. In fact, he ended up implementing the electric guitar in ways no one ever thought were even possible. Additionally, DD-2 was also the first-ever digital effect pedal by Boss. According the the same interview linked above, Tom did some experimenting in 1988/89 but after a while decided to go back to the Marshall and Peavey combo. – Peavey VTM 4×12 Cabinet Pairing it up with the Marshall JCM800 2205 head, he really liked the tone that this cab produced, so it’s not really a surprise to see him using this combo for that long. It’s also equipped with a killswitch that completely shuts off its output signal, just like on his famous “Soul Power” Fender Strat. Tom Morello’s Guitar Amps: – Marshall JCM 800 2205 50W Tom used this Marshall as his main amp ever since 1988 when his old Marshall was stolen from his van. This is one of the longest-lasting products by Dunlop and Tom uses the same one that he got in the 1980s. At this point, you should know how much Tom loves the obscure and weird stuff. [Tom Morello Interview by Chris Kies, Premier Guitar December 16, 2008]. It’s as simple as it gets. This photo dates back to 1950s and the Mau Mau Uprising that happened during the time Tom’s father was living in Kenya. I tried one of his Vox AC30 reissues and it sounded amazing. Morello is famed for his guitar style, which consists of heavy metal/punk hybrid riffs and hip hop-inspired sounds. In case you want to talk to me privatly, please use the contact form and I will get back to you as soon as possible. It was a regular Strat-style guitar with a light blue finish. Music. Tom’s Telecaster was made in the US, and features black finish, maple neck, white pickguard, two original single-coil pickups, and a six saddle bridge. I only had a couple days to replace the gear and I went to the local music store in Hollywood. While Tom still relies on his JCM800 2205 amp, there’s another Marshall in his collection. I was born and raised in Western Pennsylvania. Almost every guitar player had that “starter” electric guitar that’s made and marketed especially for beginners and enthusiasts. As Tom usually does, he customized its looks, including a sticker that says “Sendero Luminoso”, which is the name of an insurgent group in Peru and it translates to “Shining Path”. Finish: Black. He used the guitar as his main from 2002 to 2007 for all of the Audioslave songs which are played in standard tuning, and continues to use it to this day next to his other guitars. Although somewhat straightforward according to today’s standard in terms of controls, this amp still has a lot of tone-shaping potential. Tom changed the neck couple of times, and eventually settled for a graphite Kramer-style neck which he found in a bin at a place called “Nadine’s Music”. Tom’s custom-made Ibanez Talman features Kenyan flag finish, maple neck/rosewood fretboard, Ibanez Lo-Pro Edge tremolo, and three single coil “lipstick” pickups. It is decorated with various stickers including the one which is responsible for the guitar’s nickname reading “Sendero Luminoso” – which when translated to English means “Shining Path”. It’s a single-channel amplifier with a 6-inch speaker and basic controls. Tom Morello Is “Disgusted” That Young People Won’t Practice Guitar Eight Hours a Day "They are all looking for an easier route to becoming famous" Years Used: Most likely early 1990s to now. Finish: Cherry red. The guitar’s design is pretty interesting as well, featuring a black finish with white binding on the front of the body. Finish: Gold. Tom used it to record “Tire Me”, paired with a 1960s St. George MP-2. Tom’s usual setup is as follows (used with SSSC, Nightwatchman, Bruce, RATM, etc). According to Tom, this was the guitar that he practiced on the most. The cabinet is fitted with four Celestion G12K-85 speakers. Now, this is an odd one. This guitar was used for couple of RATM songs, including “Revolver” and “How I Could Just Kill a Man”, as well as for “Exploder” with the Audioslave. Tom has something else to add here: innovativeness. Basically, if you click on a product link on this site and buy that product we get a small commission at no extra cost to you. It’s not unusual to find some special custom-built instruments in the arsenals of famous guitar heroes. Enter another longtime mainstay of Tom Morello’s—a run-of-the-mill 1982 Fender Telecaster coined “Sendero Luminoso.” He wanted to start writing/performing songs in drop-D tuning, but all of his other guitars at the time had a locking nut, so he traded his roommate for the Tele and Morello had to part ways with a 50-watt Marshall. This is a classic piece that has been produced for so many years. I was at rehearsal and I spent at least four hours tweaking knobs just a hair this way and a hair that way to a point where I felt the sound was reasonable, and I marked those settings. – Digitech WH-1 Whammy The story goes that this guitar picked up a local Koren radio station signal in the studio, which is what ended up as a part of the “Sleep Now in the Fire” song. His nylon string guitar that he had at the time wasn’t loud enough for live gigs, so he talked with guys from Ibanez about ma king him one. – Line 6 Flextone 2×12 So having an instrument that reflects this comes as no surprise. Just around the time when the 1990s came, pretty much everyone thought that the electric guitar has been taken to extremes and that no one will ever find anything new to do with it after the 1980s shredders pushed the limits. It’s not completely certain when Tom actually got his hands on this one, but he has Gibson’s well-known EDS-1275 double-neck guitar. The instrument is well-known for its Kenyan flag finish and a peculiar headstock design. He also has another Ibanez model in his collection, the Talman which was custom-built for him. We provide insight and opinion about gear, artists, technique and the guitar industry for all genres and skill levels. But the most intriguing part here is that the pedal became really popular among collectors after it became widely known that Tom Morello uses one of these. – GHS Boomers 9 – 46 (used on all guitars with tremolo), – GHS Boomers 10 – 46 (used on other guitars, with a 56 instead of the 46 for the drop-B guitars). Although very strict about what he uses, and although Morello prefers to have the same setup all the time to have the same exact tone, this one worked well for some overdubs on the record. One of the most influential musicians of the past three decades, Tom Morello, has never been an off-the-rack kind of guitar player. Nevertheless, Morello learned to adapt, and in the case of the guitar (dubbed 'Arm The Homeless' in the early Rage days), he used its shortcomings as a springboard for his own fervent creativity. This happened in ’88 or ‘89 and those markings are the same ones I’ve used to this day. The guitar is based on the Fender Telecaster model, but features hollow steel body. Aside from these two awesome guitars, he also has another one with a personal stamp on it, the Fender Telecaster that’s also known for its caption, the “Sendero Luminoso”. This comes from The Clash’s guitar player Mick Jones who called this guitar “heart attack machine”. And what’s also really interesting is that this one is not a high-end instrument. This is exactly why we decided to go deeper into this topic and bring you more info about Tom Morello’s guitars, amps, and pedals. And it also comes with an entirely black finish, along with a few interesting details, including flags of Kenya, the USA, and Italy. 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